Dylann Storm Roof Is A Fraud

LOS ANGELES- Dylann Storm Roof is a fictional character that exists in the body of the young man portraying him, but not in any other real form; and most certainly not as the Confederate flag loving killer of nine black congregants at Emanuel African Methodist Church in Charleston, South Carolina on June 17, 2015. Among the staged killed was senior pastor and state senator Clementa C. Pinckney, for whom President Barack Obama eulogized at his staged funeral.

There were no murders. All nine of the so-called dead and eulogized either don’t exist or in the case of the Pinckney character, are strategically out of public view.

Dylann Storm Roof is a fraud. He is a crafted character among many in a epic live-action ‘movie’ that is being enacted in countries throughout the world. Its working title is The Right Side of History, and it has such contributing directors as Steven Spielberg and George Lucas et al. and stars senior members of government, famous actors, media personalities and pivotal made-up characters such as Dylann Storm Roof.

The central theme of this epic involves the creative reenactments of problems in history. The righteous people are charged with correcting the problems, i.e., making them right. The primary star of this epic in the United States is Barack Obama. He is a Super Hero figure a-la Batman that remedies historical injustices and slights.

For the scenario in Charleston, Obama with the aid of his co-conspirators, devised a scheme that caused such outrage that it led to the removal of that stalworth remnant of the Confederacy, its flag, from the Statehouse mast pole. In this, a closure of an aspect of the Civil War and the avenging of the death of Abraham Lincoln were achieved. Moreover, Emanuel African Methodist Church was the perfect staging ground. One of its founders was the anti-slavery activist Denmark Vesey, who led slave revolts in South Carolina.

This epic has multiple scripts and is a movie within a movie within a movie and so on.

The ‘film’ has numerous contributing historians in a presumed attempt at keeping the tone and intent of the drama legitimate. Eric Foner, a specialist in Southern history and most significantly, the period of Reconstruction, has his contributions prevalent throughout this epic. Further, as a noted author on Thomas Paine’s career, Foner’s contributions to this drama resonate throughout the 400-year timespan that is covered.